
The painting, Michelle LaVaughn Obama, is on display at the BMA. Photo by Leon Laing.
I first admired Amy Sherald’s work at Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys. The exhibit, featuring various artists, took place at the Brooklyn Museum last year. Giants included Sherald’s Deliverance, two colossal paintings of men on motorcycles.
Fast forward to this fall, and American Sublime, Sherald’s solo exhibit, appears at the Baltimore Museum of Art (BMA). I had the pleasure of attending the exhibit’s press tour led by Director Asma Naeem on Oct. 29.
Sherald, 52, originally planned to hold the exhibit at the Smithsonian’s National Portrait Gallery in Washington, D.C. But she selected BMA instead to avoid censorship from the current presidential administration. Her ties to Baltimore include graduating from the Maryland Institute College of Art. About half of the paintings in American Sublime feature faces of Baltimore-based sitters. Continue reading ‘Amy Sherald: American Sublime’








